VIEW IN MY ROOM
Australia
Mixed Media, Digital on Paper
Size: 33.1 W x 23.4 H x 0 D in
Ships in a Box
Shipping included
From Magdalene Carmen's Limited Edition 'Addict' fineArt, large-format series. Arresting flag collages merging fine art and industrial pop aesthetics, dream and street grit. 'Addict' is (1) advertising x pop culture commentary (2) articulation of the fundamental corporeal-spiritual/conscious-unconscious tug of war defining the human condition (3) intimation of the artist's particular romantic-erotic psyche in the capital-city context (4) however else it speaks to you.This Limited Edition 'Addict' piece comes as A1-size (59.4 x 84.1cm) archival inkjet print in Hahnemuhle William Turner matt fine art textured mould-paper, 100% cotton, 310gsm. Vibrant prints, striking depth, unique tactile feel and painterly three-dimensional effect. Edition of 60, signed and numbered.
Mixed Media:Digital on Paper
Artist Produced Limited Edition of:60
Size:33.1 W x 23.4 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Australia.
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Australia
Abstract, bold & nuanced signature merging dream & street grit, fine art x industrial pop aesthetics with playful &/or provocative signification. Urban-architectural & Woman (self-portraits) are primary subjects. Media = digital photography, graphics, visual effects including the generative, advertising codes, English lingo, her body language. __ Magdalene Carmen introduced first works from her Limited Edition 'Addict' flag-collage series in a teaser, pop-arty film screening at ‘The Body Language 2022’ in Venice, Italy & the London Contemporary Art Fair. The 'Addict' series, once completed, will comprise 12-32 works (or be unlimitedly ongoing) on the eternal subject of the corporeal-spiritual, conscious-unconscious tug of war defining the human condition. And then also its articulation of female power in literal form & metaphor. __ In 2020 Magdalene Carmen was among just six visual artists with tandem artworks selected for Australia's inaugural billboard art show cheekily running between commercial advertising on two iconic billboards across Flinders Street Station, 'demonstrating the dynamic relationship between contemporary art & urban street culture'. In 2021 the show was adapted for the Big Screen at Federation Square. __ First works from her 'Urban Mesh' (Limited Edition) & 'Sign-Offs' (Open Edition) series comprised Magdalene Carmen's first solo exhibition in Melbourne in mid-2018. Magdalene Carmen regularly exhibits at Melbourne's Centre for Contemporary Photography's annual National Salon Shows celebrating contemporary Australian practice. Ongoing work include further indie projects for Melbourne's Fed Square space + more international &/or online (NFTArt) exhibitions. Besides visual artist, Magdalene is also published poet & indie recording artist. Her formal education has been creative writing + journalism, photography + fashion design.
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