VIEW IN MY ROOM
When I first started fluid art, I realized that it is very hard to pour paints into images, that is where I came up with a brilliant idea. Why not pour paints into shapes of people, animals,and birds? As they say, the harder you fall, the harder you rise. So I started practicing to see if manipulating fluid into shapes is possible. After many attempts, I invented my own techniques of pouring and managed to paint this tiger piece which is the biggest piece of artwork I had ever done via acrylic pour. When you see this painting, it is more than a tiger. It was forged by pouring paints. No brushes used. It is titled Essence l because it is the first essence of a being captured in a tiger's spirit. If you observed the painting closer, you can see all the amazing textures created when paints combined. Imagine pouring different types of water onto the canvas and hoping that those liquid form a shape. It requires a high level of expertise doing that. I hoped the viewers will be in awe that this big piece of artwork is done by just pouring paints.
Original Created:2021
Subjects:Animal
Materials:linencanvasacrylicpaintsmetallicpaints
Mediums:Acrylicacrylicpourpaintpouring
Print:Giclee on Fine Art Paper
Size:8 W x 10 H x 0.1 D in
Size with Frame:13.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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South Korea
In the ever-evolving world of art, trends come and go, but one technique has been making waves and stirring up controversy: acrylic pouring. This expressive and dynamic style has captured the imagination of artists and art enthusiasts worldwide, challenging traditional notions of painting. This controversial sparked an idea in Sarah who envisions a new form of painting without brushes. Acrylic Pouring, also known as fluid art, involves diluting acrylic paints and pouring them unto a canvas to create captivating, abstract compositions. The unpredictability of the paint flow, combined with the blending of vibrant colors, results in natural, unique patterns forming when the paint is still wet and when it dries. As with any innovative art movement, acrylic pouring has not been without controversy. Traditionalists argue that the lack of meticulous control and predetermined outcomes challenges the essence of skillful craftsmanship in painting. Some critics view it as a mere trend or a shortcut to creating visually appealing but less meaning art. Amidst the controversy, Sarah Soh decides to reshape the narrative around acrylic pouring. Unlike traditional acrylic pouring artists, Sarah takes the technique to new heights by teasing her pours into figurative shapes. Sarah’s work challenges the notion that acrylic pouring is confined to abstract expressionism. By carefully manipulating the flow of paint, she creates recognizable forms and subjects within the fluidity of the medium. This departure from convention has sparked conversations within the fluid art community and traditional artists alike, about the versatility and untapped potential of acrylic pouring. The controversy surrounding acrylic pouring reflects the dynamic nature of the art world. While some see it as a departure from tradition, others view it as an exciting evolution that opens doors to new possibilities. Sarah Soh exemplifies the power of innovation within this style, proving that boundaries can be pushes, and new dimensions can be discovered, thus, creating a new form of figurative art.
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