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Canada
Sculpture, Metal on Aluminium
Size: 140 W x 80 H x 4 D in
Ships in a Crate
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Description: Timefold alludes to technological "progress" and how it has etched a deep signature or scar into the earth's environment within a relatively short time in the planet's history. Medium: slate, aluminumYear Created: 1993
Multi-paneled Sculpture:Metal on Aluminium
Original:One-of-a-kind Artwork
Size:140 W x 80 H x 4 D in
Number of Pieces:2
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Canada.
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Canada
Ian Lazarus was born in Toronto Canada in 1951.
He has been working and exhibiting as a sculptor since 1972. He began his career as a stone carver, and spent eleven years working and learning sculptural techniques in Mexico, California, Greece, Italy, and Canada. He has participated in symposiums in Malaysia and Ireland and is in private and public collections internationally.
Today he works with ease in a great variety of techniques and materials, including unconventional ones. He has created several installations that have involved shaping earth. His large scale, permanent, outdoor works -- sometimes created in collaboration with other artists -- exist in harmony with nature and incorporate the site and placement as an integral part of the whole.
Lazarus combines high-level skills required to plan, resource and manage large-scale works with an extraordinary ability to engage community and corporate support for a given project. His practical understanding of what is required to meet corporate and community interests in the realization of an artistic undertaking has enabled him to engage substantial support for .
IAN LAZARUS
ARTIST'S STATEMENT
I am pursuing a multi-faceted idea inspired by the layering of histories, and by erosions through time. The resulting works do not simulate history, but reflect trace elements or imprints of historical evidence left by time's passage.
The transience of time seen through rhythmic movement and revealed through the slicing and phrasing of space are recurring concepts throughout my body of work.
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