VIEW IN MY ROOM
United Kingdom
Printmaking, Etching on Paper
Size: 21 W x 15 H x 0.2 D in
Ships in a Tube
Shipping included
This multi-layered print is one of a limited edition of 30 made by collaborating artists, Sara Dudman RWA and Debbie Locke RWA, editioned at Double Elephant Print Workshop in Exeter. It is made by combining two etching plates with 1 screen printed layer and shows the movement of a flock of sheep as they rush from a field in the Blackdown Hills in Somerset, down a track to the farm. The title 'Bring Them On' is the command given by the farmer to his sheepdog, to move the sheep forward. A webcam has been attached to a gatepost to capture their passing and GPS packs worn by the sheep have been used to track their exact movements. Sara's gestural marks and lines are derived from the webcam footage and suggest the sheep appearing to flow along with single-minded intent, whilst Debbie's drawing-machines reinterpret the GPS data, mapping them precisely through a network of complex geometric lines. Print dimensions stated here are overall paper size, with white surround to print not print plate size.
Printmaking:Etching on Paper
Artist Produced Limited Edition of:30
Size:21 W x 15 H x 0.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
I am an artist with an affinity for wilderness, a concern for environment and a need for community. I exhibit extensively, lead collaborative, participatory and development projects and was elected an academician at the Royal West of England Academy of Art in 2016. A persistent curiosity about physical and conceptual relationships with the environment drives my work. Exploring the physical world is central to my practice, examining notions of ‘permanence and impermanence’ and ‘substance and essence’, including human and animal relationships with the environment. I absorb my subject through direct experiences and researched information, often using low-tech video footage as the source and starting point for reprocessing the subject through drawing and painting. From 2013-2016 I jointly undertook a collaborative project called Flock Together, working with fellow academician Debbie Locke RWA to research and create a body of works which interrogate and reinterpret sheep farming activity in the Blackdown Hills AONB in the South West of England. In contrast to the over-saturated, heightened, screen-based reality through which we increasingly experience our environment, my paintings and drawings reclaim the world as a personal encounter of depth and complexity. Painting for me is a necessarily ponderous activity. My gestures and marks speak of authorship and authenticity. My works present a re-enchantment with the world.
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