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Germany
Photography, C-type on Other
Size: 20.5 W x 13.4 H x 0.1 D in
Ships in a Tube
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This series of photograms was inspired by the finding some ball bearings in an electric motor company's dumpster in the yard of my studio. Those ones fascinated me with their size and absolute roundness. The contrast between the round shape of the objects and the rectangular shape of the picture challenged me to make this photogram. This photogram is not yot mounted and framed. This needs to be done according to your wishes.
Photography:C-type on Other
Original:One-of-a-kind Artwork
Size:20.5 W x 13.4 H x 0.1 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Germany
Bernhard was born in Munich in 1956. When his parents brought him a Minolta SLR camera from a trip to Asia at the age of 16, his passion for photography was completely inflamed. He spent a lot of time in the darkroom developing his films and pictures. A few years later it was clear that he wanted to become a photographer, so he developed a portfolio with which he could apply to the famous Folkwang School in Essen. After studying there, he moved back to his hometown of Munich. Since then he has been working as a freelance photographer. He has worked a lot for fashion companies, advertising agencies and magazines. Photo trips and reports were and are another focus. All the while he was experimenting with photograms. This technology continues to fascinate him to this day. Because of the uniqueness of the pictures, because people or objects touch the paper directly and because there is always a certain secret to it. You can see the outlines, you can see an unbelievable sharpness in the places where there was direct contact with the photo paper. At the same time, there is enough leeway to imagine what the whole thing looked like, what happened before and after the exposure.
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