VIEW IN MY ROOM
Romania
Painting, Acrylic on Canvas
Size: 39.4 W x 39.4 H x 1.2 D in
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The Last Game The painting "The Last Game" is not just a visual expression but a gateway to understanding the subtleties of human existence. The early stage of life is suggested by an interrupted white stripe that stretches horizontally, reminding us of the fragile line between childhood and maturity. The white stripe, the purity of childhood, is like the innocence that defines the early stages of life. With apparent simplicity, it traces the story of beginnings, of joyful games and curious discoveries. However, ingeniously, the artist chose to interrupt this white line, signifying that no period is eternal and that all things under the sun must find their end. This trajectory of childhood intersects in some areas with vertical stripes, forming a complex network of filters. These can be interpreted as the multiple experiences and influences through which a child passes on their journey to maturity. Each vertical band is a window to the world, a filter through which light and shadow, joy and sadness pass, learning to distinguish and understand the subtleties of existence. These filters are, in fact, everything that is foreign to the life and psychology of the child and will influence and modify their development - family, education, science, religion, emotional and spiritual experiences, etc.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:39.4 W x 39.4 H x 1.2 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Romania.
Customs:Shipments from Romania may experience delays due to country's regulations for exporting valuable artworks.
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Romania
For me, painting is a kind of alchemy through which I attempt to transform colors, matter, thoughts, feelings, and emotions into images, radiographs of my memory and soul. In terms of technique, the painting I create at the moment, although it can be categorized within the realm of gestural art and abstract expressionism, is not driven by spontaneity, primary creative impulses, or chance. Undoubtedly, these elements define to some extent the majority of my works, but they emerge in the middle and final stages of painting as adjustments or deliberate interventions, carefully passed through the filter and analysis of self-evaluation and requirements more cerebral, analytical rather than spontaneous and accidental. I say this because in my works, I start with a predetermined composition and a plan for the stages of creation and the steps to be taken. The gestural aspect of my painting is merely the result of the chosen visual language, the technique of rendering, and representation. Thus, elements of visual language based on gesturalism, chance, and accident are not foundational to the conceptual and compositional aspects of the work; they are elements that only contribute color, form, and dynamics.
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