VIEW IN MY ROOM
United States
Painting, Oil on Wood
Size: 20 W x 20 H x 1 D in
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This impasto collection of vigorous oil paint marks resolves itself, in the lower half of the panel, into the ethereal form of an animal, possibly wild dog, possibly baboon, running with abandon left to right across our plane of vision. The animal's face, equipped with two blue eyes, and a reductive red snout, engages the viewer with a penetrating gaze, as if to challenge: "I'm on the move - catch me if you can!" A second spherical shape, also red in hue, but muted, positioned above the main character's head, reads as another animal's subordinately positioned detached head tossed back in a gesture of brotherly resignation, as if allowing and condoning the first to lead the way to freedom. My emphatic message to an imagined viewer, perplexed by the intent of this mass of thick, seemingly unrelated paint strokes, and offered in the implied spirit of the painting's main figure, is simply, "Running, I said!" Influences, among others, include Max Beckmann, Edvard Munch, Bob Thompson, George McNeil, Richard Diebenkorn, David Park, Francesco Clemente, R.B. Kitaj and Willem de Kooning.
Painting:Oil on Wood
Original:One-of-a-kind Artwork
Size:20 W x 20 H x 1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Don Keene's paintings are bold expressionistic renditions of a ‘Red Light’ district that lurks in the subconscious. Evading time, place and definition, these vignettes represent a freedom of will from judgment while the colors and lines that portray unabashed passions saturate the composition with frenzied force. - D. Domick Lombardi Don Keene is a product of Pasadena's Art Center College of Design and the graduate program in Studio Art at The College of New Rochelle. His concerns with the human figure are less illustrative than they are metaphoric. His abstract accumulations of paint and form investigate the relationships we have with our bodies. The investigative dialogue he orchestrates deals with how and why human experience is confounded by primordial passion and desire within a free society that confuses sensuality, sexually charged imagery, emotive content, feelings of personal tension and self-consciousness, and the role of eroticism and pornography. It is the incongruous nature of this content that, for Keene, is in need of exploration. The resultant paintings and drawings on canvas and paper are purportedly abstract yet feel sexual. - William C. Maxwell
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