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Argentina
Painting, Oil on Wood
Size: 29.1 W x 15.4 H x 0.1 D in
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Venice (English /ˈvɛnɪs/; Italian: Venezia [veˈnɛttsia] ( listen)[1] alternative obsolete form: Vinegia; Venetian: Venexia [veˈnɛsja]; Latin: Venetiae; Slovene: Benetke) is a city in northeastern Italy sited on a group of 117 small islands separated by canals and linked by bridges.[2] It is located in the marshy Venetian Lagoon which stretches along the shoreline, between the mouths of the Po and the Piave Rivers. Venice is renowned for the beauty of its setting, its architecture, and its artworks.[2] The city in its entirety is listed as a World Heritage Site, along with its lagoon.[2] Venice is the capital of the Veneto region. In 2009, there were 270,098 people residing in Venice's comune (the population estimate of 272,000 inhabitants includes the population of the whole Comune of Venezia; around 60,000[3] in the historic city of Venice (Centro storico); 176,000 in Terraferma (the Mainland), mostly in the large frazioni (roughly equivalent to "parishes" or "wards" in other countries) of Mestre and Marghera; 31,000 live on other islands in the lagoon). Together with Padua and Treviso, the city is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), with a total population of 1,600,000. PATREVE is only a statistical metropolitan area without any degree of autonomy. The name is derived from the ancient Veneti people who inhabited the region by the 10th century BC.[4][5] The city historically was the capital of the Republic of Venice. Venice has been known as the "La Dominante", "Serenissima", "Queen of the Adriatic", "City of Water", "City of Masks", "City of Bridges", "The Floating City", and "City of Canals". Luigi Barzini described it in The New York Times as "undoubtedly the most beautiful city built by man".[6] Venice has also been described by the Times Online as being one of Europe's most romantic cities.[7] The Republic of Venice was a major maritime power during the Middle Ages and Renaissance, and a staging area for the Crusades and the Battle of Lepanto, as well as a very important center of commerce (especially silk, grain, and spice) and art in the 13th century up to the end of the 17th century. This made Venice a wealthy city throughout most of its history.[8] It is also known for its several important artistic movements, especially the Renaissance period. Venice has played an important role in the history of symphonic and operatic music, and it is the birthplace of Antonio Vivaldi.
Painting:Oil on Wood
Original:One-of-a-kind Artwork
Size:29.1 W x 15.4 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Argentina.
Customs:Shipments from Argentina may experience delays due to country's regulations for exporting valuable artworks.
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Argentina
"Always choose that work that transmits something to you, that sensitizes you above all and remember that Art is interpretation among other things." INTERVIEW: 1 ) https://www.youtube.com/watch?v=Cs1ugetuyP8 2 ) https://www.raisonne.studio/project-courses/3 3 ) https://www.lanacion.com.ar/deportes/turf/el-pincel-que-atrapo-la-belleza-del-turf-nid915157/ Architect. Since 1985 he is trained in the plastic arts at the Academy of Miguel Perez Macias where he develops Drawing and Painting with references from the Italian Renaissance and French Impressionism. He later implements the Pen technique in his Drawings. Like the great Masters. Approaching the countries of this Artist's Painting may amount to the most prodigious of adventures. Undertaken in the first place by his overflowing imagination, immediately encoded by a series of numbered visions, in which Venice and motherhood, in addition expressive photographs and impressive nudes find a preponderant place, and that have their most immediate justification and their most complete explanation in those same other paintings, small and in secondary appearances, which complete and notably enrich the main composition. Marco Ortolan reveals himself as what he is, a first-rate painter, a heir, sure and confident and of the first line, of the plastic goods of the Italian Renaissance, to which he repeatedly alludes, and not only for compositional reasons. , but in search of the cleanest roots of his art, so deepened and expanded that also his work, his own, concludes to be taken as born in In the mid-sixteenth century, and in that privileged place, Venice, whose waters continue to flow, perennially, and without ever interrupting the vitality of its creative ebb. Venice, and within it, several works of art born in different latitudes of that Italy always astonishing when it comes to measuring the capacity and great quality of its various and important static currents throughout so many centuries, which nevertheless achieve the true miracle that this current is constantly renewed and fresh, so much so that the same Marco Ortolan's work seems to emanate from it, not an attitude of respect and great aesthetic understanding, two of the greatest virtues of what this young Architect and Painter, insofar as he takes to the canvas.
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