VIEW IN MY ROOM
United Kingdom
Drawing, pen on Paper
Size: 16.4 W x 11.8 H x 0 D in
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I am currently working on stop motion animation 'Heirlooms'. 'Heirlooms' is about a group of children who are haunted by the ghost of Peg Prowler. Peg Prowler is a faceless ghost, with a bonnet for a head. This story board features ideas for a scene of 'Heirlooms'. Justin is stirred in his sleep for another night running. As he hides in bed he hears something outside his bedroom door. He watches in horror as a ghostly hand slides under the bedroom door. Peg Prowler's hand reaches up to the door handle. The scene ends with Peg Prowler's hand grappling with the door handle. The following scene begins in Justin's classroom. Justin's friend James sits on his own as Justin is missing from school. James walks to Justin's house after school. Maybe he thinks something bad has happened to Justin? When he reaches Justin's house, its been boarded up and is up for sale. Justin isn't seen again. The drawing has been created using old paper, as I like the aged look it has.
Drawing:pen on Paper
Original:One-of-a-kind Artwork
Size:16.4 W x 11.8 H x 0 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
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United Kingdom
I create sculpture, animation, installations, drawings and sound pieces. For inspiration I look to: Susie Templeton, Kara Walker, Yuri Norstein, Hew Locke, Susan Hiller, Ruth Ringgold, Tove Jansson and Willard Wigan. I'm currently creating a stop motion animation 'Heirlooms', which is about a group of children who are haunted by the faceless ghost of Peg Prowler. The voyeuristic aspect of my work may stem from a childhood wish to gain access to restricted spaces (such as a hidden room in a dollhouse). My work involves the frustration of being prevented from fulfilling wishes, by only allowing glimpses of these inaccessible worlds. By creating intricate, small worlds I am suggesting the desire to retreat from something threatening like society. Yet I am also interested in the contradictions and conflict this inspires; it appears that by reducing the world to a small and repetitious environment you create a sense of safety, but perhaps all you are doing is internalising the initial threat. Images such as rats eating from dining room tables not only evoke feelings of disgust but of childish play. I am perhaps attempting to control fragile memories and perceptions of childhood built on cardboard foundations. The structures I create are deliberately unsecure, unsound, in order to summon up an atmosphere of unease, this is a fragile world that could topple down at any moment. Cardboard is also interesting to work with, as it is often viewed as a 'poor' material, only salvaged by the dispossessed.
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