VIEW IN MY ROOM
Portugal
Drawing, Ink on Paper
Size: 23.2 W x 15.7 H x 0 D in
Ships in a Tube
Shipping included
14-day satisfaction guarantee
This collection of drawings represents a trial of flowers represented by sight, with real models, using indelible ballpoint and a watercolor pigment. It is part of a larger study that examines the paradox and the threshold between drawing and painting. It is not an attempt at botanical drawing in the scientific sense of the discipline; rather, it is a plastic exploration of the diversity of forms found in Mediterranean flora. These drawings and representations constitute an integral part of a methodology (workflow) inherent in the process of exploring the representation of natural elements as still life. The two components of Duet II, A and B, are perfectly suited to the format of a "diptych".
Drawing:Ink on Paper
Original:One-of-a-kind Artwork
Size:23.2 W x 15.7 H x 0 D in
Frame:Not applicable
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Portugal.
Have additional questions?
Please visit our help section or contact us.
Portugal
“There is hope in honest error. None in the icy perfections of the mere stylist”. C.R.M. The collection presents a compelling case for the feminist sensibility of the designer and architect. The intricacy of each drawing is not derived from the shapes employed, but rather from the materials utilized: paper, refillable pens, diluted pigment, and collages (assemblages). Sometimes i use another materials as antithesis, but i still prefer a methodology both ecologically and environmentally clean, reflecting the process involved in creating the various collections. The process of creating a drawing can be compared to the construction of an architectural project or a musical composition. It has its own conception phases, which can be likened to the creative processes involved with an architectural project or a musical composition. Alternatively, it can choose to remain at a certain stage. The materiality and temporality of each work are subjected to analysis. And "style" (stylistic conceptions as methodology) is not sought, as it is perceived to be a limiting factor in the representation of ideas. On the other hand, my experience in architecture allows me to create works as projects, applying the methodology of building with preferably ecological materials. Naturally, there is another aspect of me that explores architectural design as conceptual objects where I question the concept of mimicking nature (bio-mimicry) in the creation of public buildings or civil utility buildings. My collection of drawings- Tomos - confidently and warmly explores the relationship between the quality of art in the 21st century and the resources used to create it. To summarize: i) Essays on still life and the visuality (of the background) in photography ii) Collages / Assemblages iii) Architecture: subjectivity and function
Thousands Of Five-Star Reviews
We deliver world-class customer service to all of our art buyers.
Global Selection
Explore an unparalleled artwork selection by artists from around the world.
Satisfaction Guaranteed
Our 14-day satisfaction guarantee allows you to buy with confidence.
Support An Artist With Every Purchase
We pay our artists more on every sale than other galleries.
Need More Help?